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Introduction

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Peter Hübner
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Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

XI.
INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC

Ancient Truths in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of Cognition in the Process of Gaining
Knowledge in Music

Necessity of the
Neurophysiological
Integration

The Performance of the
Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of Conventional
Musical Education

Increase of Performance
of the Intellect in Music

The Eigenfunction of
the Intellect as the
True Musical Creator

The Journey to the Eternal Sources of Music

The Highest Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at the Origin of All
Creative Thinking

Purposeful Development
of Performance in the
Field of our
Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
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International Media

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Application to the Center

 

 






UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   XI
     
 
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC
     
         
 
Insight into the Basis of Music


   
 
In the state of rest­ful alert­ness the mu­sic crea­tor rec­og­nizes his self-con­scious­ness as the source and goal of all mu­sic. Out of their self-con­scious­ness, all great mu­si­cal poets un­folded and un­fold their im­mor­tal mu­sic crea­tions – which again, in turn, strive to­wards the self-con­scious­ness of the lis­tener.

 
Personal Knowledge of the Source and Goal of All Music
 
 
A well-founded mu­si­cal sci­ence, there­fore, can only be based on a sys­tem­atic in­ves­ti­ga­tion into our self-con­scious­ness.
Only then will it con­cen­trate on the ac­tual ori­gin and on the true goal of the art of tones – on the ac­tual, crea­tive source of mu­sic within the mu­si­cal crea­tor, and on the high cos­mic goal of mu­sic within eve­ry mu­sic lover.

 
Musicology on Its Way to Music
 
 
Clas­si­cal mu­sic is able to open the sun-gate to our self-con­scious­ness for us. It re­veals to us our self as the true lis­tener of mu­sic and raises us to the world of the true mu­sic crea­tor.

 
A Training Program to Become Composer
 
 
From the very first moment of lis­ten­ing to clas­si­cal mu­sic we in­crease the in­ner-mu­si­cal per­form­ance of our hu­man think­ing; for true clas­si­cal mu­sic is, as we real­ize, a proc­ess in which, by means of the re­sound­ing mu­si­cal ele­ments, we sys­tem­ati­cally fathom our mind and thus ad­vance into the deep­est depths of our think­ing.

 
Towards the True Source of the Art of Tones
 
 
Here, in the field of deep­est si­lence – be­yond space and time – we find an in­fi­nite di­ver­sity of subtle cos­mic vi­bra­tions which move ac­cord­ing to their very own in­de­pend­ent laws.
And when we reach the field of the har­mony, we wit­ness within us an im­meas­ur­able proc­ess of crea­tion re­sound­ing within it­self: we per­ceive the eter­nal, origi­nal source of mu­sic within us.

   
 
Now, from our own per­sonal ex­peri­ence, we know the source from which all great clas­si­cal com­pos­ers cre­ated and cre­ate their im­mor­tal mu­si­cal works.

 
Personal Insight into the Creative Sphere of Our Great Classical Composers
 
 
Once we have reached this field of our pure life, clas­si­cal mu­sic proves to be the great in­spirer to pur­pose­fully stimu­late with the help of our free will this vi­brat­ing, cos­mic, sound­ing prime hap­pen­ing in the depth of our free con­sci­ence to re­sound more and more clearly: so that even­tu­ally even our in­ner sense of hear­ing can per­ceive what pre­sently only our in­tel­lect, our feel­ing and our un­der­stand­ing can com­pre­hend.

 

Cosmic Power within the Depth of the Fields of Our Conscience
 
 
The proc­ess of mu­si­cal tran­scend­ing – pur­posely en­ter­ing the depth of the mu­si­cal force-fields – puts the mecha­nism of true crea­tive com­pos­ing into ac­tion within our con­scious­ness. As we ex­peri­ence the all-com­pre­hen­sive mu­si­cal force-field of the har­mony, we attain self-knowl­edge, and in a com­pletely natu­ral and spon­ta­ne­ous man­ner our self-aware­ness opens the in­ner gates of its al­mighty crea­tive force.

 
Self-Awareness as the Gate to the Almighty Creative Power
 
 
By birth, the phe­nome­non of tran­scend­ing was known to our great clas­si­cal com­pos­ers; hence the field of cos­mic think­ing was noth­ing un­usual to them.

 
Personal Insight into the Field of Cosmic Thinking
 
 
Nev­er­the­less, this real ori­gin of mu­sic is ac­ces­si­ble not only to the gen­ius – who al­ready pos­sesses the abil­ity to tran­scend.
By means of true clas­si­cal mu­sic, and the mu­si­cal cog­ni­tive proc­ess that comes with it, the au­then­tic ex­peri­ence of the truly first mu­si­cal thought is now also avail­able com­pletely sys­tem­ati­caly to the in­no­cent lis­tener, to the mu­sic lover, to the mu­si­cian, and: to the mu­sic teacher.

 
Authentic Experience of the Truly First Musical Thought
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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