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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

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of Musical Cognition

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Control over the Sense
of Hearing

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   X
     
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
The Art of Not Being Bound in Music


   
 
Af­ter hav­ing ad­vanced into the in­fi­nite force-field of the har­mony by per­ceiv­ing the ab­so­lu­te sound-sub­stance, the lis­tener rec­og­nizes this ab­so­lu­te mu­si­cal world as not at all bound to the rela­tive mu­si­cal proc­ess.
On the other hand, he iden­ti­fies the rela­tive mu­si­cal proc­ess as be­ing bound to the ab­so­lu­te force-field of the har­mony.

 
The Free, Independent, Absolute Musical World of the Harmony
 
 
At the same time, how­ever, he sees him­self free from the outer lim­ited mu­si­cal sphere of ex­peri­ence in the rela­tive field of mu­sic.

   
 
This cos­mic free­dom the crea­tive mu­sic lis­tener pre­serves through his continu­ous, clear per­cep­tion of the ab­so­lu­te sound-sub­stance.
And in his tools of cog­ni­tion – on the level of his pure self-aware­ness, in the field of his in­tel­lect, in feel­ing and un­der­stand­ing, in the sound-sub­stance of his mind, in his sense of hear­ing, and more­over, even in his neu­ro­physi­ol­ogy – he sus­tains this per­fect per­cep­tion in a six­fold man­ner.

 
The Listener’s Cosmic Freedom from Limited Experience of Music
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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