19. Musical Motif-Space to Creative Field of Inner Hearing
Subject of Study 2
Scientifically Studying the Universal Coordinative Development of Human Creativity – the
Heaven – the Flying Aspect of the Dragon – within the Universal Coordination
of our Ability of Cosmic Intellectual Understanding with our Inner Cosmic
Hearing Ability
Through the Transition from the Field of Knowledge of the
Musical Motif-Space to the Field of Knowledge of our Hearing
During / by the Integrated Synthesis of Idea and Sound
Seminar Series
at the transition of idea and sound from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of idea and voiced consonant from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of idea and unvoiced consonant from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the idea derivation and the formants from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of idea and vowel from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of the overtone mechanics of idea and sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the decays of idea and sound from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the attacks of idea and sound from the force-field of the
musical motif-space to the force-field of our hearing
at the transition of the aperiodic vibration of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the idea sequence and the vibration sequence of the sound
from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the periodic idea chain and the periodic vibration of the
sound from the force-field of the musical motif-space to the force-field of our
hearing
at the transition of the idea derivation and the overtone spectrum of the sound
from the force-field of the musical motif-space to the force-field of our hearing
at the transition of basic idea and basic sound from the force-field of the musical
motif-space to the force-field of our hearing
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